The panel schedule is up for Fourth Street Fantasy con, which starts in about a week. (That is: there’s a social event Thursday night. Programming starts Friday.) I’m on two panels, and here they are:
Truth, Lies, and Meta. Friday, 4:30 p.m. Marissa Lingen, Emma Bull, Casey Blair. Fiction, by its nature, isn’t real, which means that when narration lies (deliberately or by omission), or a creator breaks the fourth wall, there are multiple layers of plausibility, trust, and ‘reality’ in play. How do the techniques we use to get readers to believe in a made-up world interact with cuing them that the narrator or a character in said world is a liar? (See also: Kayfabe in Wrestling; and accidental subtext, where authors make choices which suggest their world doesn’t actually work the way their narrative claims it does.) What makes us believe in a world or a character, what undermines that, and how can that tension be leveraged?
Disability in Speculative Fiction, 2:00 p.m. John Wiswell, Michael D. Thomas, Mishell Baker, Marissa Lingen. Representation of disability and chronic illness often comes in two forms: writing *the* experience or writing *an* experience. How much you define the character by their condition can define the story. Caitlin R. Kiernan’s The Drowning Girl follows India Phelps’ struggling with her schizophrenia and treatment for it, while N.K. Jemisin’s The Broken Kingdom follows Oree handling bloody plots of the gods while happening to be blind. Has there been a quantitative or qualitative shift in treatment of disabilities in SF/F in its recent history?
The full listing of panels can be found here.
|Originally published at Novel Gazing Redux|