A few weeks ago, when we were having a rash of notable deaths, one of my friends was asking, in her grief, whether it would just be like this from here on out. One of her icons, one of her heroes, after another. And Tim very quietly said to me, “Now would be a great time to start liking the work of artists younger than yourself. Every time is a great time.”
Well: yeah. And the immediate aftermath of a death is not the right time to say it more loudly than that, which is why I waited. But yeah. Because you’re not trying to replace anybody. No one will ever replace the artists of your childhood, the people who inspired you in your teens, those who touched your heart and lifted your mind in the first days you were an adult. Those people are irreplaceable.
But that doesn’t mean you go quietly into a downhill spiral of fewer and fewer artists to love. I think too many people do. The studies show it: most people stop liking new music in their late twenties or early thirties. They stop seeking it out–or maybe they never sought it out, and they stop being in situations where it finds them automatically. I think this is maybe less true on average for books and movies, but still somewhat true: the shape of things you seek out slows down.
And it gets easier to feel like the world is getting worse. Like things are getting sadder, diminishing. But they’re not. There’s more good stuff out there. The kids are not only all right, they can be there so that when the artist who was 30 when you were 15–30 and living hard, 30 and partying all night on the tour bus–turns out to be mortal, as statistically it turns out a great many of us are–there’s the artist who was 15 when you were 30.
And no, they don’t sound the same. They won’t feel like being 17 and having your life ahead of you. They’ll feel like being 37, or 57, or 87. And still choosing to have your life ahead of you.
That’s a pretty good thing to sound like too.
|Originally published at Novel Gazing Redux|