Review copy provided by Tor.
Tina Connolly’s previous books, Ironskin and Copperhead, both earned her popular attention and critical acclaim, and rightly so. Silverblind is better. Much better. Silverblind is the book where everything starts really working, where I sit up and take notice and start poking people so that they do the same.
Silverblind takes the story begun in Ironskin and moves on the better part of two decades, to Adora–Dorie–as a young woman, half-fey and trying to make her own way in a world that has changed drastically, but not drastically enough for bright young women (half-fey or not). She has mostly set her fey powers aside in favor of pursuing a career as a naturalist, but when her society’s attitudes keep shutting doors in her face, she turns back to those powers to try to wedge those doors back open.
This book features baby wyverns (that sometimes behave quite inconveniently), Edwardian-equivalent social justice crusaders (ALL THE LOVE), underrated young lady artists who have to worry about rent (some love, it turns out, was left over from the social justice set after all), shapechanging in ways that actually uses possibilities, and trust questions that go beyond “I just met you and this is crazy.” I raced through it, and then I was sorry I did, because I got it in a very advanced ARC and there will not be more for even longer–I have no idea when there will be more–and this. This is such a big step, the book where Tina Connolly goes from “sure, reliably readable, will pick up the next one and it will be fun” to “OH HOW EXCITING IT IS A TINA CONNOLLY BOOK.”
|Originally published at Novel Gazing Redux|