Review copy provided by Tor.
Ian Tregillis has a positive gift for writing things I wouldn’t want to read if someone else wrote them. His previous trilogy: OMG TOO DARK SO GRIM DO NOT WANT. Except…that they were kind of awesomely done. And the twist at the end of the second book: SERIOUSLY DO NOT WANT. Except that he totally pulled it off.
So: ’40s slang noir version of murder mystery in Heaven? With all sorts of ranks of angels? Do not want.
Except Ian Tregillis. So I did not fling the book away with a cry of disgust. Instead I picked it up and read it, and I’m glad I did. Honestly, the ’40s noir slang grated on me kind of a lot, and if I hadn’t had previous experience of the author, I might well have stopped. But it turns out everything happens for a reason, or at least linguistic choices in an Ian Tregillis novel do. And for as much as Bayliss annoys me, Molly does not, so I could always know that there would be more Molly coming, if I hung in there.
And I do like the recognition that angels have not always been conceived of as humanoids with floofy wings and shiny halos. I do like the fiery faces and all the wings and the Thrones, oh, the Thrones. There is good stuff here. Even if I spent most of the book wanting to kick one of the two POV characters. That’s just the kind of dame I am.
|Originally published at Novel Gazing Redux|